Every industrial and commercial center in England possesses a working class divided into two hostile camps, English proletarians and Irish proletarians. The ordinary English worker hates the Irish worker as a competitor who lowers his standard of life. In relation to the Irish worker he feels himself a member of the ruling nation and so turns himself into a tool of the aristocrats and capitalists of his country against Ireland, thus strengthening their domination over himself. He cherishes religious, social and national prejudices against the Irish worker. His attitude is much the same as that of the “poor whites” to the “niggers” in the former slave states of the USA. The Irishman pays him back with interest in his own money. He sees in the English worker at once the accomplice and stupid tool of the English rule in Ireland.

This antagonism is artificially kept alive and intensified by the press, the pulpit, the comic papers, in short by all the means at the disposal of the ruling classes. This antagonism is the secret of the impotence of the English working class, despite its organization. It is the secret by which the capitalist maintains its power. And that class is fully aware of it.

Karl Marx on racism
babylonfalling:

Lennon: The Working-Class Hero Turns Red. 

I enjoyed it when football crowds in the early days would sing “All Together Now.” I was also pleased when the movement in America took up “Give Peace a Chance,” because I had written it with that in mind really. I hoped that instead of singing “We Shall Overcome” from 1800 or something, they would have something contemporary. I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution now…

Click here to read the extensive interview with John Lennon and Yoko Ono by Tariq Ali and Robin Blackburn that originally ran in The Red Mole, and is reprinted here in Ramparts (1971).
babylonfalling:

Lennon: The Working-Class Hero Turns Red. 

I enjoyed it when football crowds in the early days would sing “All Together Now.” I was also pleased when the movement in America took up “Give Peace a Chance,” because I had written it with that in mind really. I hoped that instead of singing “We Shall Overcome” from 1800 or something, they would have something contemporary. I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution now…

Click here to read the extensive interview with John Lennon and Yoko Ono by Tariq Ali and Robin Blackburn that originally ran in The Red Mole, and is reprinted here in Ramparts (1971).

babylonfalling:

Lennon: The Working-Class Hero Turns Red. 

I enjoyed it when football crowds in the early days would sing “All Together Now.” I was also pleased when the movement in America took up “Give Peace a Chance,” because I had written it with that in mind really. I hoped that instead of singing “We Shall Overcome” from 1800 or something, they would have something contemporary. I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution now…

Click here to read the extensive interview with John Lennon and Yoko Ono by Tariq Ali and Robin Blackburn that originally ran in The Red Mole, and is reprinted here in Ramparts (1971).

listen

elleviens:

Alvin Robinson - Something You Got

(Source: youtube.com)

[Flash 9 is required to listen to audio.] Betty Harris - Trouble With My Lover

Betty Harris - trouble with my lover

thegilly:

Catalogue with photograph by Iain Macmillan for the Yoko at Indica exhibition, November 1966.
thegilly:

Catalogue with photograph by Iain Macmillan for the Yoko at Indica exhibition, November 1966.

thegilly:

Catalogue with photograph by Iain Macmillan for the Yoko at Indica exhibition, November 1966.

(via lormiguel)


I actually find it rather disturbing that — despite our claims to be a culture that’s increasing freedom of choice all the time — we haven’t come up with anything quite as astute, subversive or beautiful as Ways of Seeing since. Not on the BBC, and not even — especially not — on the internet. - Nick Currie

I actually find it rather disturbing that — despite our claims to be a culture that’s increasing freedom of choice all the time — we haven’t come up with anything quite as astute, subversive or beautiful as Ways of Seeing since. Not on the BBC, and not even — especially not — on the internet. - Nick Currie

I actually find it rather disturbing that — despite our claims to be a culture that’s increasing freedom of choice all the time — we haven’t come up with anything quite as astute, subversive or beautiful as Ways of Seeing since. Not on the BBC, and not even — especially not — on the internet. - Nick Currie

(Source: c86, via lormiguel)

(Source: greyfaced, via ghostof)

by Sergi Borisov
by Sergi Borisov